Monday, December 14, 2009

Author Biography: Zora Neale Hurston


“Sometimes, I feel discriminated against, but it does not make me angry. It merely astonishes me. How can any deny themselves the pleasure of my company? It’s beyond me.”

– Zora Neale Hurston

Zora Neale Hurston was born in the year 1891 to a preacher father and a teacher mother. At a very early age, her family moved to Eatonville, Florida, the very first African-American run town in the United States, established in 1891. It was in this town where Hurston is first exposed to the rich culture of the blacks in the Southern United States. Considering this her hometown, she learned here of freedom for blacks and the strength of her native culture. She had seven other siblings, whom their mother told to “jump at de sun” in pursuing their dreams. Hurston later reflects, “We might not land on the sun, but at least we would get off the ground.” Hurston was a vibrant, colorful woman; a free spirit. Hurston did not get along with her father because of their strikingly different personalities. At age thirteen, when her mother died and her father remarried, Zora left her home.

The next years in Hurston’s life are an un-chronicled mystery where she pursued adventure and travel. Eventually she joined a group of travelling performers called Gilbert and Sullivan to work as a maid for one of the singers. The lively girl enjoyed this excitement and adored the environment in which she developed and learned. When the company came to the town of Baltimore, Hurston decided she should pursue an education by receiving her high school diploma. In 1917, the young woman crossed ten years off her age so that she would be sixteen instead of twenty-six. This way she could receive the free education offered by the public schools.

Two years later she began her college education at Howard University. This is when her writing career began. She joined the literary club at Howard and wrote short stories in the next years, including “John Redding Goes to Sea” and “Drenched in Light.” Her works were noticed by Dr. Charles S. Johnson who edited the journal Opportunity. He invited her to come to New York to work for him in the 1920s. She transferred to Barnard College and received her B.A. in anthropology in 1927. She was exposed to the Harlem Renaissance and became acquainted with other notable writers and people who were active in this movement, including the poet Langston Hughes. Her sparkling, spunky personality made her a popular figure. During this time, she did not make very much money, nor did she publish frequently.

Breaking away from the theme and focus of other Harlem Renaissance writers, Hurston began work for a lady named Charlotte Mason. Under her direction, Hurston studied the anthropology and folk tales from the southern blacks. “Research is formalized curiosity. It is poking and prying with a purpose,” Hurston says. She was able to travel to Haiti and Jamaica to actively pursue the learning of southern tradition.

These studies were incorporated into Hurston’s fictional writing to be captured by characters that embrace the true spirit from this culture. After a slow beginning in the 1930s, her work was finally realized by a publisher who would like to publish a novel of hers. She began her writing of novels and produced seven books in her lifetime, along with numerous short stories and dramas.

It was in 1937 that Hurston wrote her most notable work in seven weeks, today considered a classic of her era, the novel Their Eyes Were Watching God. She wrote it while in Haiti studying the Voodoo religion. Before she wrote this novel, however, Hurston experienced a deeply emotional love affair with a man who was nearly half her age, which is said to have influenced the writing of her novel. Hurston says, “I did not just fall in love. I made a parachute jump.” She married twice in addition to this, but neither marriage lasted long because Hurston always focused on her career as a priority. Much of her work illustrated black women with an independent, vibrant nature. Instead of addressing racial issues, she was more prone to tackle the position of women in her culture. She often spoke first of the pursuit of dreams and second of cultural tiebacks, emotion, and spiritual fulfillment. She was a creative genius and poured her imagination into her writing.

Hurston was involved in the writing of many musicals. When she worked under Mason and another organization named the Julius Rosenwald Foundation, she found that the restrictions and requirements were too confining for her nature. She found her enjoyment in the atmosphere of the South and the Caribbean islands. She studied the mystical voodoo religions in the south and many of her observations can be seen through her work.

In the 1940s Hurston wrote her autobiography and many smaller works for magazines. She differed from her contemporaries in that she did not necessarily believe that desegregation between blacks and whites was necessary. After the publishing of her novels, Hurston’s career started to go downhill. It was in 1948 when Hurston was accused of molesting a boy of ten years old. She had an alibi for the alleged time of the crime and was proven to be innocent, but unfortunately this occurrence devastated her life. After this, she attempted work as a maid for a kind of writer’s sabbatical. Apart from an occasional article, she worked odd jobs in the 1950s including teaching, reporting, and being a librarian.

Hurston, still suffering the effects of humiliation, was a pauper when she died of heart disease in 1959. Her grave was unmarked until 1973. She says, “I do not weep at the world I am too busy sharpening my oyster knife.” Even though she was poor materially throughout her life, her dreams were fulfilled in her life of adventure and storytelling.

Completed by: Madeline Reimer

Cast of Characters

Janie Crawford When the story begins, sixteen-year-old Janie is the protagonist of the novel. Janie has a natural curiosity about the world. She embarks on a journey of self-discovery that includes three husbands along the way.

Nanny Crawford Janie’s grandmother who was born into slavery. She raises Janie and teaches her that financial security is a good reason to marry. She and Janie clash over values.

Mrs. Washburn She is Nanny’s employer after Nanny becomes a free woman. Mrs. Washburn, a white woman, provides a house in her backyard for Nanny and Janie. She helpes with raising Janie.

Johnny Taylor He kisses Janie over the fence when she is sixteen years old. Nanny becomes concerned that this is a signal that Janie will allow any unworthy man to get close to her.

Pheoby Watson She has been a friend and confidante to Janie for more than twenty years. Janie’s best friend in Eatonville, she is the audience for the novel.

Sam Watson Sam is Pheoby’s husband and is a good-natured man.

Logan Killicks Janie’s first husband, whom she marries at a young age. A hard-working man picked by Nanny to provide Janie with future security. Janie doesn’t love him and soon grows tired of the hard-work associated with Logan.

Joe Starks A selfish man with ambitions for recognition and power, he is Janie’s second husband. Nanny would have wanted a man like Joe for Janie as he represents everything she thought was important in a marriage. He establishes himself as Eatonville’s mayor and owns and runs the general store in town. He is abusive to Janie and squelches her independent nature.

Vergible “Tea Cake” Woods The third husband to Janie and 12 years her junior, he is the only husband Janie truly loves. He proves to be the catalyst that helps Janie continue her journey of self-discovery. His love for Janie is unconditional.

Amos Hicks He is one of the first residents of Eatonville to meet Janie and Jody. He is interested in Janie, at first, and tries to make her leave Jody. He views himself as a “lady’s man.”

Matt Bonner He is the owner of the mule that provides a pivotal point in the novel. He is one of the porch sitters.

Hezekiah Potts Hezekiah is a seventeen-year-old boy who helps Janie in the store after Joe Stark’s death. He starts to take on some of the characteristics of the now deceased Joe Starks.

Annie Tyler and Who Flung Annie was widowed at fifty-two-years old. She meets a younger man whose name is Who Flung. He eventually leaves her, but not before taking her money. She is devastated and leaves to live with her daughter. Many townsfolk think Janie will end up like Mrs. Tyler as a result of her relationship with Tea Cake.

The Porch Sitters Townsfolk whose recreation is to gossip about Janie and other members of the community. They represent the community and include: Matt Bonner, who owned the mule, Walter Thomas, Lige Moss, Hambo, the preacher Brother Davis, Guv’nor Amos Hicks, Lee Coker, Tony Taylor, Sam Watson, Pearl Stone, and Mrs. Sumpkins.

Motor Boat A gambling friend of Tea Cake, who waits out the hurricane sleeping in the upper-story of an abandoned house. He is a worker in the muck, which is a group of migrant workers in the bean fields of the Everglades.

Other Workers in the Muck They are friends with Tea Cake. They are a fun-loving bunch. Their names are: ‘Lias, Bootyny, Sterrett, Stew Beef, Sop-de-Bottom, Ed Dockery, and Coodemay.

Mr. and Mrs. Turner Residents in the Everglades who run a small restaurant. Mrs. Turner tries to introduce Janie to her brother. She is a mean woman and is racist toward Tea Cake.

Dr. Simmons A doctor who comes to see to Tea Cake when he after he becomes ill. He informs Janie that Tea Cake will probably die from the rabid dog’s bite. He is a respected white man.

Nunkie She is a young girl living in the Everglades who flirts with Tea Cake.

Completed by: Emily Broden

Historical Context

Socio-economic context
It is in this context that Janie seems to fluctuate throughout the novel. At the end of chapter three Janie learns that marriage does not make love and although she was not interested emotionally or physically to Logan she submitted to her Grandmother’s push to marry him. Janie finds herself in a rather stable economic state with Logan, there is food and a house, but her relationship with Logan is rather dry and pitiful. The idea of romance with Logan seems to really disgust her and she does not really seem to understand his actions. An example of Janie not being interested in Logan can be found in chapter 3 when Janie shares her feelings towards her grandmother about Logan, Janie says, “Ah’d ruther be shot wid tacks than tuh turn over in de bed and stir up air whilst he is in dere.” The grandmother had earlier pointed out that Logan “Got a house bought and paid for and sixty acres uh land right on de big road.” The assets that Logan has do not seem to impress Janie and she feels obligated to be obedient towards here grandmothers advice about the matter. It is have this decision to marry Logan that she expresses a change in her understanding about marriage and that it did not make love. Finally, Janie does not seem to understand Logan, after being called out to the barn Janie sees that Logan is leaving, she asks, “Where you goin’?” he responds “Over tuh Lake City tuh see man about uh mule.” Janie does not understand why Logan needs two mules. There just does not seem to be any connection between Logan and Janie, although her economic needs are met, something still seems to be missing.

The next socio-economic context that Janie finds herself in is when she decides to leave Logan for Joe Starks. The first thing that the reader learns about Joe is that he is a “stylish dressed man” and it seems as though she is attracted to Joe more than she is to Logan. As Janie gets to know Joe a little bit more at the water pump the learner learns that Joe is very wealthy, “been workin’ for white folks,” and was interested in becoming a part of the “town all outa colored folks.” Joe was also someone that she could talk to, a piece to Logan and Janie’s relationship that was never there. Janie ends up leaving Logan for Joe, moving to the all colored town and watches as her husband rises to the top of the colored society in the town while she runs the town store. Janie finds herself in a different socio economic context again with Joe, yet as their relationship continues Janie is still in search of the horizon, she feels that her personality is being bound by Joe, and although she was all the money and comforts that she wants something still seems to be missing.

The third and final socio-economic context that Janie is in comes after the death of her second husband Joe. Shortly after his death Janie meets another man, Tea Cake. It is her relationship with Tea Cake that she begins to realize what a relationship is truly about. It seems that will the first two men, financial stableness, a nice home, and even attractiveness did not satisfy her with Joe because he eventually got old and fat. Tea Cake comes along and treats Janie as an individual, as an equal in the relationship. Tea Cake seems to have no promise of money and as the story continues he learn that he has periods of irresponsibility. Something that Joe and Logan did not seem to have. It is with Tea Cake that she does not feel bound, even though financial at times they were. Janie also builds relationships with other people in the town and become rather popular which is also a significant difference from her previous relationship situations.

Political Context
The only area of politics that Janie seems to be involved in would be her relationship to Joe Starks, her second husband, who was the mayor of Eatonville. The reader learns that this is the first all colored community. Although slavery has ended, there still seems be much disconnect with blacks, whites, and Indians. This become quite clear at the end of the story when the Indians are passing by to get to high ground and Janie does not think highly of them, “Indians are dumb anyhow, always were,” and when the whites and blacks that died in the hurricane are being buried different. There does seem to be some connections that Tea Cake and Janie make with the “American crowd” due to their presents in the “Glades.” Tea Cake also seems to be turned off to the most of the white community when he voices his concern of Mrs. Tuner’s comments about black people.

Arts & Entertainment Cultural Context
There is not much mentioned during Janie’s short relationship with Logan, but during her relationship with Joe, the topic of playing checkers comes up and Joe does not think Janie could handle the game mentally and orders her back to working in the town store. In chapter six there is also the introduction of “the mule-talkers” this seems to be a type of entertainment for the people of Eatonville where they get to make fun and crack jokes about “Matt Bonner’s yellow mule.” There also seems to be discussions on the porches that are more then just gossip sessions that seems to be a form of entertainment for the culture. There seems to be a topic and two or three people engage in an rational argument, making there cases about the way something is or isn’t. When Tea Cake and Janie move to the glades and make friends with the white people there seems to be dances that are held nightly around a fire which would be both part of the arts and entertainment in this context. Janie also learns how to fish and shoot a gun from Tea Cake. There is also the reference right before the coming of the hurricane to people dancing to the picking of a guitar, so there seems to also be a musical aspect to Janie’s culture.

Completed by: Grant Bostrom

Novel Synopsis



The story begins as Janie Crawford, a middle-aged black woman, returns to Eatonville, Florida after a long absence. The women in the town are gossiping about her return but her best friend Pheoby sticks up for her. Pheoby goes to visit Janie and Janie tells what has happened in the twenty years that she has been gone.

Janie explains that her grandmother raised her after her mother ran away. Nanny loves Janie but after her life as a slave and her experience with her own daughter, Nanny has a twisted worldview. Nanny wants Janie to have all the things that she never had. Her strongest desire is to have Janie get married as soon as possible to a husband that can provide for her. Despite Janie’s protests, Nanny finds an older farm-hand, Logan Killicks, and arranges for the two to be married.

After moving in together, Janie is miserable. Nanny had given her the idea that love comes after one is married rather than the idea that a couple should be in love before they are married. Because of this, Janie wants a love that will make her feel good all the time. But Logan makes Janie work hard and he cares very litter about her opinions. So when Joe Starks, a good-looking and ambitious man, comes along, Janie is sure that he is her ticket to love.

Joe and Janie run off together to Eatonville, Florida, the first all-black town ever. Joe hopes to have a big voice in the town and soon becomes the mayor, storekeeper, postmaster and biggest landowner in the town. Joe’s “voice” in the town soon becomes too large for Janie because Janie is never able to speak her mind. Janie realizes that her marriage to Joe is not all that she wanted in a relationship. Janie wants to be a part of the town and have a social life, but Joe doesn’t want her to spend time with common people. After twenty years of marriage, Joe dies and Janie feels free for the first time in years. She is no longer being repressed and can live her life according to what she wants.

One day, a man named Tea Cake comes into the store and Janie senses an instant connection. Janie begins to date Tea Cake despite the gossip of the townspeople. Tea Cake allows Janie to speak for herself and carry on like a normal person which is something that she loves. To the town’s shock, Janie marries Tea Cake only nine months after Joe’s death and they move to Jacksonville together. During the first week of their marriage, Tea Cake steals Janie’s money and leaves her alone one night, making her question her decision to marry him. Tea Cake returns and explains why he took Janie’s money. After this, they decide to share everything with each other.

Janie and Tea Cake then move to the Everglades, where they work harvesting beans and sugar cane. During the off-season, they socialize with the others living on “the muck.” They live off of the money they make and are happy in love. Tea Cake and Janie’s friendliness soon make their house an attraction for all of the town’s entertainment.

Two years after Janie and Tea Cake are married, a hurricane hits the Everglades. As they are trying to flee the high water, a rabid dog bites Tea Cake. Three weeks later, Tea Cake gets ill and in a bout of rabies-induced delirium, he tries to kill Janie. Janie is forced to save her life by killing Tea Cake. She is then put on trial for his murder, but the jury finds her not guilty. Janie returns to Eatonville where she faces the malicious gossip of her former neighbors who think that Tea Cake has left her and taken all her money. The story ends as Janie finishing recounting her experiences to an impressed Pheoby. After Pheoby leaves, Janie feels Tea Cake’s presence and is finally at peace with herself.

Completed by: Jennifer Barber

Novel Advertisement courtesy of Madeline Reimer

Worldview Analysis

What is Janie’s Worldview?

It seems that Janie’s worldview can be seen in her interaction with both the analogy/imagery of sitting under the pear tree and thinking along with her constant pursuit of the “horizon.” The narrator throughout the story gives clues as to when Janie’s worldview is changing. The first example of this I think is when Janie’s grandmother catches her kissing Justin Taylor, and her grandmother’s suggestion of Logan Killicks who “was desecrating the pear tree.” Janie really did not like Logan nor was she attracted to hi, yet she felt that her grandmother new best about relationships and what a woman wants so she agreed eventually to marry Logan. Janie in this period of her life that Janie begins to asks questions about marriage, “did marriage end the cosmic loneliness of the unmatched? Did marriage compel love like the sun day? With these questions it can be seen that Janie is feeling lonely due to her feelings about being matched poorly with Logan and that here understanding of marriage is beginning to shift. From a Christians’ perspective, Janie reveals her need her for someone to fill this feeling of loneliness. Janie begins to think well maybe Logan will fill this need of being matched, and maybe marriage brings love rather than loving leading to marriage. This loneliness is a human characteristic, one designed by God in order that he might fill these desires completely and no other person can. Janie, here, is realizing her need to be in relationship, something else God designed, as He Himself is in fellowship with the Father Son and Holy Spirit.

As Janies first marriage begins to deteriorate, at the end of chapter 3, Janie reveals another truth, that marriage “did not make love.” It seems as though the worldview of Americans today is marriage does make love, a reason for the high divorce rate. Getting marriage does not cause one to fall in love. Getting married does not even force one to love. The biblical ground to contrast this worldview can be found in 1 John 4:19, “We love because he first loved us.” I do not think Janie understands this aspect about love, which is why she has trouble with all of her intimate relationships with men. Marriage does not make love, economic satisfaction does not make love. Too things that Janie seems to going after in her first two marriages. The reference to Janie letting her hair down has many sinful tendencies I think. The letting her hair down while drawing water for Joe, while in the store, while sitting under the pear tree reveals something bigger going on inside Janie. She wants to feel independent, she wants to relieve herself of the pain that she is in, she wants to change her situation, and I think most sinfully she just wants to be noticed by her husband, but also others. Now, wanted to be noticed is not sinful in and of itself, but it seems as though the neglect her first two husbands has caused her too look else where for satisfaction. It seems as though the hair being let down is a reference to Janie really saying, “I am not satisfied where I am at now, I need a change, I want someone to notice me.” In which God would say, “I died for you, you are sinner in my eyes, but Christ is willing to take that burden of sin from you if you would just believe in me, do not settle for these other men, do not settle for money, do not settle for comfortability, you will need be satisfied in these things and I made it this way in order that I (God) would be made much of not you.” Only by giving herself to Jesus would Janie be able to comfortably keep her hair up, which would reveal her dependence on God and her satisfaction in him is the thing that makes everything else have satisfaction.

So, where is Janie’s worldview consistent with the Christian worldview? Janie recognizes the hurricane as God “mocking” the weakness of man. It is after the realization that danger is coming and Tea Cake and Janie are going to having to leave that Janie reveals her feelings for Tea Cake, “Ah wuz fumblin’ round and God opened the door,” which seems to be that Janie recognizes the relationship she had with Tea Cake as a gift from God, and only through this could she “so satisfied” with Tea Cake. I also think that is it with the treat of losing Tea Cake that she truly sees the blessings that Tea Cake had been in her life. It is through the hurricane that Janie beings to see the bigger picture of life and also the futility of life. This is often times how God works in peoples lives ordains certain things to happen, that might even cause pain, in order that people might recognize the work of God and believe in the salvation that he has provide through Jesus. There are those that search and search and search and never seem to find satisfaction, the opening lines to the novel illuminate this fact, and it is after the death of Tea Cake and her better understanding of life that she is able to share her growth with her friends. I am not suggesting that Janie came to know the Jesus through these events, but it does seem that Janie got a taste of death, satisfaction, and comfort only for it all to be taken away through on event and Janie has a much bigger picture of what it means to truly live.

Completed by: Grant Bostrom

Novel Soundtrack: Track 1

Their Eyes Were Watching God: The Soundtrack

Compiled by Jennifer Barber


1) I’m Not a Girl, Not Yet a Woman by Britney Spears

Event: Not all of the lyrics in this song directly relate to the novel, but the general idea of the song does. In the beginning of the novel, Janie’s grandmother catches her kissing Johnny Taylor and gets very upset about it. When Nanny is talking to Janie, Janie says, “Naw, Nanny, naw Ah ain’t no real ‘oman yet.” At this point Janie is still figuring out what she wants in the love department and her grandmother is arranging her marriage. The lyrics in the song relate to Janie feeling a little lost about love.

Lyrics:

I used to think
I had the answers to everything,
But now I know
Life doesn't always go my way, yeah...
Feels like I'm caught in the middle
That's when I realize...

[Chorus:]
I'm not a girl,
Not yet a woman.
All I need is time,
A moment that is mine,
While I'm in between.

I'm not a girl,
There is no need to protect me.
It's time that I
Learn to face up to this on my own.
I've seen so much more than you know now,
So don't tell me to shut my eyes.

[Chorus]


I'm not a girl,
But if you look at me closely,
You will see it my eyes.
This girl will always find her way.

I'm not a girl
(I'm not a girl don't tell me what to believe).
Not Yet a woman
(I'm just trying to find the woman in me, yeah).
All I need is time (All I need),
A moment that is mine (That is mine),
While I'm in between.

I'm not a girl
Not yet a woman
All I need is time (All I need),
A moment that is mine,
While I'm in between.

I'm not a girl,
Not yet a woman.

Novel Soundtrack: Track 2

2) Somewhere Over the Rainbow by Katherine McPhee

Event: This is the point in the story when Janie has married Logan Killicks and they are living together. She is unhappy with her life and wishes for a love that is greater than what she has with Logan. This song can relate to Janie’s feelings at this point because she is still wishing that something, or someone, better will come along.

Lyrics:

When all the clouds darken up the skyway
There's a rainbow highway to be found
Leading from your window pain
To a place behind the sun
Just a step beyond the rain

Somewhere over the rainbow
Way up high
There's a land that I heard of
Once in a lullaby

Someday I'll wish upon a star
And wake up where the clouds are far behind me
Where troubles melt lemon drops
Away above the chimney tops
That's where you'll find me

Somewhere over the rainbow
Bluebirds fly
Birds fly over the rainbow
Why then oh why can't I

If happy little bluebirds fly
Beyond the rainbow
Why, oh, why can't I

Novel Soundtrack: Track 3

3) Change Partners by Fred Astaire

Event: I related this song to Joe coming into Janie’s life and asking her to leave Logan for him. Although this song is about a dance, you could interpret it metaphorically about a marriage. If you interpret it this way, you can see that it relates to Joe asking Janie to leave her marriage for him. The last line in the song is like Joe telling Janie that he will provide for her and be a “big voice” in Eatonville.

Lyrics:

Must you dance every dance with the same fortunate man?
You have danced with him since the music began.
Won't you change partners and dance with me?
Must you dance quite so close with your lips touching his face?
Can't you see
I'm longing to be in his place?
Won't you change partners and dance with me?

Ask him to sit this one out.
While you're alone,
I'll tell the waiter to tell
him he's wanted on the telephone.

You've been locked in his arms ever since heaven-knows-when.
Won't you change partners and then,
you may never want to change partners again.

Novel Soundtrack: Track 4

4) The Jeffersons (Movin’ On Up) by Stay Tuned

Event: This song represents Janie and Joe’s move to Eatonville. Joe says that he wants to have a big voice in Eatonville and he can give Janie anything she wants. The whole premise of this song is about making a move to become rich and powerful. This is what Joe wanted, and in essence, he got it.

Lyrics:

Well we're movin on up,
To the east side.
To a deluxe apartment in the sky.
Movin on up,
To the east side.
We finally got a piece of the pie.

Fish don't fry in the kitchen;
Beans don't burn on the grill.
Took a whole lotta tryin',
Just to get up that hill.
Now we're up in the big leagues,
Gettin' our turn at bat.
As long as we live, it's you and me baby,
There ain't nothin wrong with that.

Well we're movin on up,
To the east side.
To a deluxe apartment in the sky.
Movin on up,
To the east side.
We finally got a piece of the pie.

Novel Soundtrack: Track 5

5) Does Anybody Hear Her by The Casting Crowns

Event: This song represents much of Janie’s life. Throughout her entire life, she lives by what others want for her and is repressed by others (specifically Joe in their marriage). This song deals with the heartache of a girl that is searching for love and acceptance. Janie’s feelings of being unseen and unheard and her constantly trying to figure herself out can be related to the lyrics in this song.

Link to Song: http://www.youtube.com/watch?v=OEhRucEVzH8

Lyrics:

She is running
A hundred miles an hour in the wrong direction
She is trying
But the canyon's ever widening
In the depths of her cold heart
So she sets out on another misadventure just to find
She's another two years older
And she's three more steps behind

Does anybody hear her? Can anybody see?
Or does anybody even know she's going down today
Under the shadow of our steeple
With all the lost and lonely people
Searching for the hope that's tucked away in you and me
Does anybody hear her? Can anybody see?

She is yearning
For shelter and affection
That she never found at home
She is searching
For a hero to ride in
To ride in and save the day
And in walks her prince charming
And he knows just what to say
Momentary lapse of reason
And she gives herself away

Does anybody hear her? Can anybody see?
Or does anybody even know she's going down today
Under the shadow of our steeple
With all the lost and lonely people
Searching for the hope that's tucked away in you and me
Does anybody hear her? Can anybody see?

If judgment looms under every steeple
If lofty glances from lofty people
Can't see past her scarlet letter
And we've never even met her

If judgment looms under every steeple
If lofty glances from lofty people
Can't see past her scarlet letter
And we've never even met her

If Judgement looms under every steeple
If lofty glances from lofty people
Can't see past her scarlet letter
And we've never even met her
Never even met her

Does anybody hear her? Does anybody see?
Or does anybody even know she's going down today
Under the shadow of our steeple
With all the lost and lonely people
Searching for the hope that's tucked away in you and me

Does anybody hear her? Does anybody see?
Does anybody even know she's going down today?
Under the shadow of our steeple (shadow of her steeple)
With all the lost and lonely people (Lost and Lonely people)
Searching for the hope that's tucked away in you and me
Does anybody hear her? Does anybody see?

He is running a hundred miles an hour in the wrong direction

Novel Soundtrack: Track 6

6) Fighter by Christina Aguilera

Event: The premise of this song is that the things in the past make you who you are. The person in the song has been cheated on, stolen from and betrayed. All of these things has made her the person that she is now. Though the plot doesn’t fully follow Janie’s story, the idea does. Janie is stronger and knows more about what she wants after her poor relationship with Joe. Once he dies, she is free and realizes that she can be who she wants. She fought through the marriage and now she is free.

Link to Song: http://www.youtube.com/watch?v=xB7pQpNx-F4

Lyrics:

When I, thought I knew you
Thinking, that you were true
I guess I, I couldn't trust
'Cause your bluff time is up
'Cause I've had enough
You were, there by my side
Always, down for the ride
But your, joy ride just came down in flames
'Cause your greed sold me out of shame

After all of the stealing and cheating
You probably think that I hold resentment for you
But, uh uh, oh no, you're wrong
'Cause if it wasn't for all that you tried to do
I wouldn't know just how capable I am to pull through
So I wanna say thank you

'Cause it makes me that much stronger
Makes me work a little bit harder
It makes me that much wiser
So thanks for making me a fighter
Made me learn a little bit faster
Made my skin a little bit thicker
Makes me that much smarter
So thanks for making me a fighter

Never, saw it coming
All of, your backstabbing
Just so, you could cash in
On a good thing before I realized your game
I heard, you're going around
Playing, the victim now
But don't, even begin
Feeling I'm the one to blame
'Cause you dug your own grave, uh huh

After all of the fights and the lies
Yes you wanted to harm me but that won't work anymore
Uh, no more, oh no, it's over
'Cause if it wasn't for all of your torture
I wouldn't know how to be this way now, and never back down
So I wanna say thank you

'Cause it makes me that much stronger
Makes me work a little bit harder
Makes me that much wiser
So thanks for making me a fighter
Made me learn a little bit faster
Made my skin a little bit thicker
It makes me that much smarter
So thanks for making me a fighter

Novel Soundtrack: Track 7

7) Would You Like to Take a Walk? By Annette Hanshaw

Event: The event that this song represents is when Tea Cake comes into Janie’s life. He comes into the store one day and the two have an instant connection. Soon after, Tea Cake begins walking Janie home and staying at her house for dinner. This song reminded me of their courtship before they were married as many times Tea Cake would walk Janie home and that would result in him coming inside.

Link to Song: http://www.youtube.com/watch?v=ltLFqU1AnX4

Lyrics:

I saw you strolling by your solitary,
Am I nosy, very, very.
I'd like to be a juicy huckleberry,
What you're after is a gal;
We're both in luck for introductions are not necessary;

Mm-mm-mm, would you like to take walk?
Mm-mm-mm, do you think it's gonna rain?
Mm-mm-mm, how about a sasparilla?
Gee, the moon is yeller,
Sump'n good'll come from that.
Mm-mm-mm, have you heard the latest song?
Mm-mm-mm, it's a very pretty strain.
Mm-mm-mm, don't you feel a little thrilly?
Gee, it's getting chilly,
Sump'n good'll come from that.
When you're strolling though the wherezis,
You need a whozis
To lean upon;
But when you have no whozis,
To hug and whatzis, gosh darn.
Mm-mm-mm, would you like to take walk?
Mm-mm-mm, do you think it's gonna rain?
Mm-mm-mm, ain't you tired of the talkies?
I prefer the walkies,
Sump'n good'll come from that.

My little heart is full of palpitation,
What I need is consolation.
I'd like to stage a little celebration
In the moonlight, right away;
I'll feel all pep't if you'll accept my friendly invitation;

Novel Soundtrack: Track 8

8) Iris by The Goo Goo Dolls

Event: This song represents Tea Cake and Janie’s relationship and marriage. Tea Cake and Janie are so in love and after having been married for a while, they see each others true selves. Even through this, they still are madly in love. This song talks about a love so strong and a couple that just wants each other to be true to themselves, and they love each other for that. This is similar to the relationship that Janie and Tea Cake had.

Lyrics:

And I'd give up forever to touch you
Cause I know that you feel me somehow
You're the closest to heaven that I'll ever be
And I don't want to go home right now

And all I can taste is this moment
And all I can breathe is your life
Cause sooner or later it's over
I just don't want to miss you tonight

And I don't want the world to see me
Cause I don't think that they'd understand
When everything's made to be broken
I just want you to know who I am

And you can't fight the tears that ain't coming
Or the moment of truth in your lies
When everything seems like the movies
Yeah you bleed just to know your alive

And I don't want the world to see me
Cause I don't think that they'd understand
When everything's made to be broken
I just want you to know who I am

I don't want the world to see me
Cause I don't think that they'd understand
When everything's made to be broken
I just want you to know who I am

I just want you to know who I am
I just want you to know who I am
I just want you to know who I am
I just want you to know who I am

Novel Soundtrack: Track 9

9) It Don’t Mean a Thing if You Ain’t Got That Swing by Duke Ellington

Event: The lyrics to this song don’t have much relation to the book. However, this is a song from the 1930’s, the era that the novel takes place in. In the novel, it states that while Janie and Tea Cake were on the muck, their shack was the center for entertainment and social activities. People would talk and sing and play games. This could have been a song that they sang. In essence, this song represents the fun times that Janie and Tea Cake had after they moved out to the Everglades.

Link to Song: http://www.youtube.com/watch?v=qDQpZT3GhDg/

Lyrics:

What good is melody?
What good is music?
If it ain't possessin' something sweet
It ain't the melody, it ain't the music

There's something else that makes the tune complete
It don't mean a thing, if it ain't got that swing
It don't mean a thing all you got to do is sing

It makes no difference
If it's sweet or hot
Just give that rhythm
Everything you've got
It don't mean a thing if it ain't got that swing

Novel Soundtrack: Track 10

10) River Stay ‘Way from My Door by Paul Robeson

Event: The event that this song relates to is the hurricane towards the end of the novel. Janie and Tea Cake don’t think that the hurricane is going to reach their house so they don’t leave with the Indians and the animals. Instead, they stay at home. Once they see the waters rising, they realize that they have made a mistake and that they must leave or they will die.

Lyrics:

You're just a lonely little river,
But I have heard somebody say
That someday you may
Squeeze my home away.
 
So roll along you lonely river
And find your way to the sea,
I don't bother you,
Don't you bother me!
 
You keep goin' your way,
I'll keep goin' my way,
River, stay 'way from my door!
 
I just got a cabin,
You don't need a cabin,
River, stay 'way from my door!
 
Don't come up any higher,
I'm so all alone.
Leave my bed and my fire,
That's all I'll ever own!
 
I ain't breakin' your heart,
Don't start breakin' my heart,
River, stay 'way from my door!

Novel Soundtrack: Track 11

11) Seasons of Love by the RENT Cast

Event: The event that this story represents is the reuniting of friends after the hurricane. Tea Cake and Janie go back to the Everglades and find many of their friends. Having thought that they were dead, this is surprising, and exciting news to the couple. This song is all about appreciating life and spending life in a way that means something. At the end of the song it says, “Let’s celebrate, and remember a year in the life of friends.” I think when the friends in the novel reunited they were all recounting what happened to them during the hurricane.

Link to Song: http://www.youtube.com/watch?v=x8iTeDl_Wug

Lyrics:

Five hundred twenty five thousand six hundred minutes.
Five hundred twenty five thousand moments so dear.
Five hundred twenty five thousand six hundred minutes.
How do you measure- measure a year.

In daylights, in sunsets,
In midnights, in cups of coffee.
In inches, in miles, in laughter, in strife.

Five hundred twenty five thousand six hundred minutes
How do you measure a year in the life?

How about love?
How about love?
How about love?
Measure in love.
Seasons of love.
Seasons of love.

Five hundred twenty five thousand six hundred minutes.
Five hundred twenty five thousand journeys to plan.
five hundred twenty five thousand six hundred minutes.
How do you measure the life of a woman or a man.

In truth that she learned
or in times that he cried
In the bridges he burned
or the way that she died

Its time now to sing out
though the story never ends
lets celebrate, remember a year
in the life of friends